1989 really was a watershed year for pop music.
As the months roll on this year, you'll find that your social media feeds will be brimming with 30 year anniversary posts.
Some key albums from 1989 have had a lasting impact worldwide; others proved transformative in their local markets.
There was something about 1989 that pushed a lot of eighties acts to lift their game; to do something to justify your attention into the next decade. So many eighties pop acts seemed to come of age that year.
In Australia, as in some other countries in the colonial world, we were still coming out of a bit of a rock music haze. We certainly had lapped up the work of the international superstars, but we were a bit late to the pop party locally.
For better or worse, genres other than rock really only started to gain traction in the mid eighties in Oz. You were more likely to find yourself down the pub watching a bunch of frizzy haired guys in acid wash making their air guitar dreams come true than you were to be having a little shuffle in the middle of a heaving dancefloor back then.
There were certainly some great Aussie pop acts that emerged in the eighties (mostly for a flash) in Australia, but for the most part we had to wait until the end of the decade for female artists to be given the space to break the rock (chick) mould.
Before then it was unheard of for a record company and the media to really get behind a local lady and really give their work the kind of attention usually reserved for the blokes.
If you have even an ounce of Australian in you, then you know that Kate Ceberano is a national treasure; a versatile singer who effottlessly jumped across jazz, pop and funk as she paved out an unorthodox career that now spans three decades.
In 1989, she released her first proper pop debut; Brave, and for a year she and her Ministry of Fun were everywhere. She achieved great commercial sucess with her solo debut.
But more importantly Kate really ushered in a new era for Australian music.