We should've seen the signs as early as January.
January 10 to be precise.
On that day, we lost someone incredibly unique: David Bowie.
A man who transcended boundaries and whose appeal was inter-generational.
Bowie left with the same style and grace he'd displayed for decades, choosing not to make his health battles and problems public. Instead, he left us with Blackstar, his final album, which has remained one of the year's best reviewed works.
How fitting, it seemed, that Blackstar - an album in which Bowie looks death squarely in the face - was his final swan song. As if the master had planned the farewell in advance.
But accounts are now beginning to surface which suggest Bowie was already planning on yet more material after Blackstar. It's a tantalizing idea.
As has become custom, we realised what a remarkable, mercurial talent he was only once he was gone. Blackstar went to number one on its posthumous release. Much of Bowie's back catalogue filled out the world's albums and singles charts as we scrambled to preserve our memories of him and his music. And, his transcendental approach to culture: blurring the lines of music, fashion and art as he did for so long, have stretched his legacy into the art world.
Since his departure, the Victoria and Albert museum in London has announced that their Bowie exhibition has become their most ever visited show. Bowie's personal art collection: as progressive and ahead of the times as the man himself - has had collectors in a frenzy.
And yet, he'll be remembered for being such a phenomenal pioneer in popular culture. With a voice that was distinctive and incredibly powerful. Get your fill of it over at NME which have some great isolated vocals that attest to how amazing that voice was lest we forget.