2016 has not been my favourite year.
Aren't you over this obsession with nationalism and populism? Being herded into simplified positions or towards activism. Where everything gets reduced to us being for or against something. With us or not with us.
We don't seem to have any patience for things that are complicated or nuanced anymore. We're all so angry.
Culturally, 2016 has also been Beyonce's year. Again.
Once upon a time she was the prom haired child of destiny. On the cover of every magazine, beauty personified. Great voice, great look, great mover.
Then she reinvented herself and the game in 2013 with Beyonce.
It's not an easy task to reinvent yourself after so long in the public eye. People are only too ready to remind you of how frumpy you were or how much of a nerd you were before you made yourself over.
I think it was a good move on Bey's part. Musically she really needed to step it up a few gears. And her 2016 release Lemonade has consistently been the year's most acclaimed recording.
In case you haven't noticed, with Beyonce and Lemonade Bey has morphed into a serious artiste. One who doesn't want to pay lip service to issues anymore. Someone who's no longer content to be the L'Oreal gal in pop. Girl's got other things on her mind.
And where in the past her albums featured hubby Jay Z, Lemonade [thankfully] lacked his vocal presence. Even if the idea of him is still all over it.
The takeaway from all of this, and Beyonce's continuation as a serious artist was that Beyonce somehow got 'blacker' [and angrier] this year. Realer thanks to the elevator scene, Superbowl, the baseball bat. The corn rows. Pretty much any moment and any thing in the long play video.
Queen Bey transitioned her sound with Beyonce, but she's solidified her position on things with Lemonade. She's done it by doing what commercial artists have long done. By working with the best and by tapping into social movements that artists strive to claim as their own.
But these feel like ridiculous times.
Times when we suddenly have to be reminded that Black Lives Matter. Times when people are identifying with the old, white guard. When many are not even willing to acknowledge the existence of 'minorities' anymore.
Times when parts of the world are looking to repeal rights so hard fought for.
So when Bey appeared at the Superbowl and paid tribute to the Black Panther movement back in February, the press had a heart attack. If she hadn't already killed off her old L'Oreal persona with Lemonade, she certainly finished the job at the Superbowl.
Beyonce's numbers are impressive. Her album has performed solidly, but not even she is Adele. Adele's not here to ruffle your feathers. But Beyonce suddenly is and that has pissed a lot of people off.
But any backlash to Beyonce's activist position in 2016 isn't really about her suddenly thinking she's black. It's a sign of how the usual suspects [and now parts of the disenchanted society] feel like we're in a rickety boat. A boat whose position is so precarious that any sign of rocking will force us all to capsize.
The real take out? Beyonce has slayed this year because mainstream artists have been playing it safe for years. And for all the activism, Beyonce's album was solid musically, and breathtaking at a visual level. Beyond that, well her fans are more likely to be caught up in who Becky with the good hair is to worry too much about the message Beyonce is trying to send.
It's 2016. They need a simple, clear position and not much more, after all.
Dave Di Vito
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Dave Di Vito is a writer, teacher and former curator.He's also the author of the Vinyl Tiger series and Replace The Sky.
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