I guess the warning signs were present from the beginning.
After all, the first album I ever owned was by Culture Club. Cyndi Lauper was my first love and Madonna my first obsession. The first poster that I ever tacked up on my wall was of Wham! Just a year or two later, my young distrust of David Bowie and Prince turned to undisputed love.
My idols weren't just pop stars to me. They were more than their hits. They were touch stones. It can't be a coincidence that they were also among the world's first mainstream LGBT artists and allies. The gender benders and the rule breakers of the music video age.
These were artists who were prepared to consciously take on sexual politics on a scale people never had before thanks to the music video medium. Acts who could've taken the easy road rather than attract criticism through their opposition to the status quo.
Artists who felt and moved at a time when we valued trickery and cultural violence over anything else. The acts who gave people like me a solid footing and foundation to explore music more dangerously and widely because their music was already something more than just pop.
George's talent? It was there from the beginning.
We might've been distracted by the fluro, by the white speedos and the Choose Life t-shirt but George wasn't. As a kid he was already a brilliant songwriter. And then there was that voice to remind us, lest we'd forget all caught up in the leather jacket, sunglasses and designer stubble.
George may not have seemed it in the eighties, but he was just as subversive as his peers. If you look back at his videos, his early and consistent use of models to shift the spotlight away from himself was a master stroke. As was his ability to be unfailing honest about his troubles and struggles.
By the mid nineties he was already growing into a modern trobadeur. He was unmatched for how he could write something so unexpectedly moving like Jesus To A Child or make I Can't Make You Love Me all his own, while still being able to push out great white boy soul like Fast Love or Too Funky to remind us again not to categorise or limit his exceptional talent.
That a huge segment of his audience abandoned him must've been a devastating blow, even if publicly he disavowed the fans who'd washed their hands of him. His unapologetic, frankness about his sexuality after his public outing was refreshing, especially because he never let it overshadow him the way the press often did and wanted it to.
2016 was finally the year that we stopped talking about the 27 curse. You know, the one that claims anyone famous that we love when they're 27 and in their prime. Instead, we recognised 2016 had taken its place: the Grim Reaper year, here to take away whatever remnants many of us had of our youth. And George, taken on Christmas Day closed out the horror year, leaving behind a lot of love and an amazing discography you should go and rediscover. Now.

Well, after the year that was, it's hard not to turn to things for comfort. Sex. Drugs. Panettone. Whatever floats your boat.
The importance of things changes in time.
Time gives us the ability to decide the true significance of things.
Once upon a time, very few people out of Europe could name or locate Belgium on a map.
Belgium may well have been a fascinating bi cultural place. But history meant that it was overshadowed and influenced by its more populous neighbours: the Colonial era superpowers of France and Holland.
In recent years, Belgium has a new profile. Brussels, the Belgian capital, has become the administrative capital of the European Union. In the last year or so events there have also made it infamous as a hotbed of terrorist activity.
But prior to that, Belgium was just another sleepy European country. For hundreds of years it was nothing more than a stop over point or home to the some of the world's best small scale breweries.
If you're a beer drinker, you're likely to have sampled a Belgian beer at some point in your life and likely to have enjoyed it.
Some consider Belgian beer to be among the best in the world. UNESCO do too apparently, because in November 2016, they added Belgium beer[s] to their Cultural Heritage List.
Now, it's a UNESCO list which is like a sister list to the main one we see every year in the press. You know, the one about places and buildings and that kind of jazz.
This list is mostly about food or languages or cultural events that are hard to classify.
If UNESCO wasn't so Euro centric it's likely that we could have all kinds of awesome stuff on this lesser  list. As it stands, it's full of worthy stuff like falconry and shrimp fishing on horseback. But it could be so much more international. Imagine if it included things like Cosplay, Ben and Jerry's or wearing a singlet, tight football shorts and thongs to the supermarket in Australia.
Still, it's a useful list if you're looking for interesting dinner party fodder.
And if you're a Belgian beer drinker, congratulations, you're also now a cultural gatekeeper. If you have that golden liquid in your fridge [or any items in your larder that fall under a Mediterranean diet or even a tin of Turkish or Arabic coffee], you should apply for museum status in your local city and charge bitches entry into your kitchen.
Because for all the gorgonzola, caviar and paté in the world, it's the beer that is going to give you serious cultural credentials from now on. And you should take advantage of the fact that you've just joined the curator's club if you've got a bottle of the Belgian stuff on hand. Because soon enough everyone's going to want to join.

October 2016.
The month when Bob Dylan won the nobel prize for literature and we all rolled our eyes.
A month when evidence surfaces suggesting Russia and Putin were behind the Democrat email hacks and bids to influence the American election. And too many of us rolled our eyes.
It was a confusing month. It was about when we started believing that the Trump gig was up.
Trump's unprepared, ranting appearances on the debates [well, anywhere really] were like watching train wrecks: I won't concede if Hillary wins.  I won't release my tax records. Sniffling, snotty. A screw loose.
If his increasingly paranoid ramblings weren't enough, recordings surfaced in which Trump boasted about his exceptional communication skills when it came to women.
The result? A much deserved pussy riot we hadn't seen since Moscow, 2012.
Great, we thought. His campaign is finally sunk. Americans will not vote for this man.
October 2016. The month when certain people of voting age in certain states of the United States clearly weren't interested or clearly weren't listening. That aside from the signs of Russian interference and the demonstrable traits of the Republican nominee they decided that they just didn't give a fuck.
October 2016 was the month when we - and the press - didn't bother to listen to them.
And now we're all going to be f*cked as a result.

I think Kathy Griffin is the only person on earth capable of naming every one of Angelina Jolie and Brad Pitt's children.
But the mini army that Jolie and Pitt put together has been one of the most powerful militaries of our time.
Whatever country they go to is conquered and colonised. Flowers suddenly start growing from parched, barren lands and the sins of poverty, illiteracy and disease suddenly vanish. All that's left is a fleeting view of from behind of camera flashes and UN flap jackets. And nobody can understand a word that's being uttered because the poliglot army has its own language that is undecipherable to us normal people.
The power of Brangelina has always laid in their impossible beauty.
It didn't matter if they did things that we lay people didn't approve of. It was unimportant that we didn't think things were right.
There were those among us who were always secretly rooting for Rachel from Friends. Feeling remorse for her and for how that black and white photo of her and Brad cutting a wedding cake had been ripped up and trampled all over by the Jolie war machine.
We were blinded by the next level beauty that Brangelina gave us as compensation. By their single handed effort in changing the world. How they refused to marry until gays and lesbians could. How they were down with Shiloh being a girl or a boy.
So imagine the world crisis when Jolie filed for divorce in September. How we were suddenly confronted with accusations of child abuse (unfounded) and left without the seven nation army that Brangelina spearheaded.
What were we supposed to feel when the couple that has it all throws in the towel? Because, admit it, when terrible or sad things happen to beautiful, rich people, it's hard to give that much of a f*ck.
But what are we left with? Who are we left to look up to? George and Amal? (but they have no kids). Ryan and Blake Lively? (who is a kind of Gwenyth Paltrow protege and therefore somehow not up to the same level of Angelina?)
We're doomed.

Every time the Olympics rolls around we're already exhausted.
Exhausted by all the news coverage about how much of a disaster the impending games are going to be.
Reports run for months in advance, explaining how unprepared the host city is, how budgets have been blown, stadiums are unfinished and how there's no chance in hell that [insert city name] will ever be able to pull it off.
We got that with Rio. And in spades. But with Rio, the disaster theme continued once the ball was already rolling.
Alongside the actual events were the stories about robberies and how there were curfews in place to minimise danger to athletes and officials.
Obviously, olympians had different views of the olympics. Usain Bolt looked at it like a place of unfinished business. Michael Phelps looked at it as a gold mine.
Douche bag Ryan Lochte used it as an excuse to show the world what white privilege means.
But the real star of the 2016 Olympics wasn't part of the American team.
It was Tonga.
Tonga had some cute uniforms. And I liked their riff on the Swiss flag. But really, I wasn't looking at either of those things when the opening ceremony played out. Even as a pacifist, the Olympics were suddenly about Taekwondo for me. In particular, Pita Taufatofua. His oiled up appearance broke the internet.
Pita stole the show. Right from the opening ceremony. The medal count and events didn't matter from that moment on.
The Aussie born/based athlete grew up in Tonga. Taufatofua didn't make it past the first round of his bout but his appearance at the opening ceremony declared what we knew to be true. The 2016 Olympics belonged to Tonga.
As if we needed more proof, when The Daily Beast posted an inflammatory article trying to out gay athletes at Rio, jeopardising the safety of some of them [after all, being gay can be a dangerous thing in some countries] Amina Fonua, another Tongan olympian [from the 2012 games] came out scathing and stole what was left of the show.
Tonga, that tiny, little place in the Pacific that people have only heard about was suddenly everything. A place whose inhabitants are capable of breaking the internet and setting hearts a flutter without doing much more than stripping off a few layers of clothing.
And that kids, is what the OIympic spirit is all about.

2016 was the year of the undisguised rage. Of the village idiot.
So it seemed somehow fitting, when, in July, so many of us took to the streets to become vigilanties.
Pokemon Go came and got people off their couches.
The idea was genius. Use digital mapping to create a kind of treasure hunt to capture Pokemon in and around people's local areas. Get people up and active and have them use their smartphones for a truly interactive experience.
Pokemon Go forced people to interact with one another. It made people socialise in a way that social networks have failed to. It brought about world peace... wait, that's not right.
But there was a brief moment this year, when all it took for people to take to the streets was something digital. Nothing political, no outcries, just good old fashioned gaming fun. And it seemed for a few weeks at least that the potential of technology could be used for something good.
But then came the other side of human nature.
You know, the one when people started using the game to lure people into danger. To rob them. Or those unfortunate, isolated instances when Pokemon just happened to be hiding in the vicinity of cadavers.
Man, those little Nintendo beasts did a better job of crime solving than Angela Lansbury in Murder, She Wrote.
And eventually, with it, the wane in popularity. But only after Japan had reminded the world how superior it was in respect to every other country in the world.

I lived in Rome for four years. Right now I'm on a who knows when it will end secondment down in the south of Italy.
Your guess is as good as mine.
There's a lot I love about Rome, a lot I hate about Rome and a lot of things that just make me marvel when I'm there.
One of those things is that Rome has a birthday.
Yep, on April 21 each year, billboards get filled with birthday messages for the city. At last count, the city was officially 2,769 years old. Begs the question, what do you get someone that's had everything?
How about a female mayor. One of the things the city has never had.
This year, Romans elected Virginia Raggi mayor. First time in the city's history it's ever happened, and look, they even put a ribbon on her to celebrate.
When she was elected, the city was hopeful. She came to power on the back of the populist Cinque Stelle political party, who promised to get Rome back into ship shape condition. No more mafia Capitale. No more blundering. No more waste and corruption.
Flash forward six months and ViGi is fighting for political life. She's had three of her henchmen, I mean, appointed colleagues, stripped of their roles amidst accusations of corruption. The Cinque Stelle leader, Beppe Grillo (a former comedian) has threatened to strip ViGi of her association with the group and in the last week, has severely curtailed her autonomy. He has a say in her every move right now. Begs another question. Did Romans vote for ViGi or did they vote for BepG?
Either way, Romans are not happy. The city council has adopted a lot of auesterity measures that have become very unpopular with Romans. Their cuts have been significant and important services like women's shelters are now at risk. They've also systematically been destroying Rome's live music scene, but I'll post more on that separately.
So, yes, Rome got its first female mayor. Hurrah. But not an autonomous one, and not one that is likely to make it much longer in the city's cut throat politics.

For a show set like hundreds of years ago, Game of Thrones is certainly on the zeitgeist.
In May, conspiracy theorists had a field day when Jon Snow, who knows nothing, rose from the dead. Since that moment of gratuitous near nudity, Jon Snow has been power mongering and getting all the plaudits and attention. Unqualified? Not that bright? Great, let's get behind him.
Meanwhile, his infinitely smarter half sister, Sansa, has come across as a scheming, nasty woman in the making as she attempts to break through a glass ceiling all her own. She's got an image problem though. She's a (young) woman, she's been punished for the wrong doings of the men all around her, and any time she has fought back she's been seen as conniving, manipulative and desperate. Sound familiar?

IF you still have any doubts that 2016 has had it in for us, can I just remind you that both Christmas day and New Year's Day for 2017 will both fall on a Sunday this year. Nasty.
If it wasn't bad enough that we lost David Bowie in January, 2016 went all ratchet and took the other musical genius of our time, Prince in March to seal the deal.
They, along with the inner gay guy Madonna used to say was trapped inside her, were the key inspirations for my book. So I'm just waiting for Madge to renounce her inner homo before the end of December so that 2016 neatly shatters all my icons.
Prince's death was an interesting phenomenon. We remembered him almost exclusively as eighties Prince or early nineties Prince, but not much further on than that. It's interesting how we bypassed over a decade of his work in our Itunes driven mourning of him.
But I get it. Hell, I even pulled out the old Batdance track at one point and wondered if I was getting too close to sacrilege. Between my tears.
RIP.

As an Aussie, it pains me to say it. But New Zealand is superior to Australia as a country.
Rugby, politics, indigenous relations, same sex marriage, refugees, making trilogies about talking trees and quests for rings... New Zealand is just better than Australia at all of those things.
Thank god the Kiwi accent is awful, otherwise Aussies would just have the worst inferiority complex to their tiny neighbour.
When people ask me about Australia, they have this idea that Australia is a modern, progressive country. I don't correct them on it. But only because the truth is just embarrassing. Australia is terribly backward about a lot of stuff. And lately people here in Europe are wisening up. They're obsessed with Master Chef Australia (positive reaction) and Border Patrol (negative reaction), but all I can say is thank god they don't get The Block here.
They pin me down and ask me how I can defend Australia's terrible policy when it comes to migrants (I can't). They ask me about that loopy redhead that got re-elected to the senate again on a platform of Islamaphobia (I just point to how strong the far right is here in Europe). They ask me why Aboriginal Australia is seen so differently by white Australia when white New Zealand has made such strides in its relationship with the Maoris (this is where I run out of general leftie responses).
But when they speak about New Zealand (because, you know, Australia/New Zealand same same) they never have anything negative to say. And they've got a point.
New Zealand is the progressive, modern country of the Asia Pacific region. They have their own Silicon Valley. And even though their rugby team decimates Italy on a regular basis, Italians only have awe for the Kiwis.
Last year, to try and get a one up on Australia, the New Zealand government decided it was time to change their flag. Their flag, I should remind you, is almost identical to Australia's and I'm sure they were tired of being mistaken for their bigger, more famous sister country.
In Australia, if we wanted to change the flag, we'd shell out millions and millions of dollars to a slew of marketing agencies, designers from abroad or the art world's darling from five years ago.
But our tiny neighbour is more progressive than that. They simply opened up a new flag design to the people.
The results were breathtaking. This wasn't a Biennale year in Venice, but even if it had been, the NZ flag contest would've put the art world in the shade because it was priceless. Designers world wide would've abandoned Illustrator and gone back to Paint, because that's where the future of design lies (in N.Z at least).
New Zealanders wanted to come to the flag party. So much so, that over 10,000 entries were received in the open call.
The majority of them were technologically savvy and avant garde. For a tiny minute at least, it looked as if New Zealand was going to turn the horrors of 2016 around all on its own. It was going to make the world a better place, and shake up the political order with its new flag.

But, because 2016 was born from a butt hole, there was no justice in the end.
Kiwis went to the polls with a much reduced series of choices. Boring, conventional, practical choices.
And in the end, after millions of dollars, all that excitement came to nought. Because the Kiwis decided to stick with what they had. The original, Australian imitation flag.
2016 sucks.

I've been told it's snowing in Hawaii.
Equally improbable is the fact that I woke up this morning and found that I correctly predicted the results of Italy's constitutional referendum.
That's like the first time this year I've gone to bed knowing what the political result was going to be the next day.
You're going to be reading a lot of coverage about the referendum over the coming days. Primarily because Italy's prime minister Matteo Renzi had staked his job on the result. Poor little lamb just resigned.
Let me just make a couple of points for you to keep in mind as you read the analysis.
When the referendum was announced, the goal was to simplify the parliamentary process. I think it's safe to say that Italy isn't famous for progressive, transparent government.
Law makers have a tough time of it here and laws constantly get sent back from the senate to the parliament for rewording and rewriting, making the process infiinitely longer. Because this country is red tape central, Renzi figured the parliament needed more power at the Senate's expense. This would effectively speed up the law making process [but give the PM more say and more power to push through his agenda].
Renzi started his term with a huge, popular mandate.
The constitutional reform he floated was approved by parliament, so he was, as always, bullishly confident that the public would approve of it too via the referendum. So confident, that he declared he'd quit if the referendum didn't pass. 
Problem was that the political climate had changed substantially by the time the vote was taken to the public. In some corners, Renzi was increasingly being seen as a mini Berlusconi: all confidence and huff when Italy was yet to show much in the way of improvement under his governing.
The opposition [many parts of whom originally voted in favour of the reforms] changed their tune and began to vocally signal their opposition to reform when they sensed the public's mood. They correctly saw the referendum as being an opportunity to oust Renzi - thanks to his promise to quit.
Aside from Renzi's pointless act of personalizing the referendum which ultimately doomed the campaign, the other issue was that Italians didn't have a clear idea what they were voting for or against. The suggested reforms were not clear- they were incredibly complex questions for many people and even friends of mine who voted walked away feeling unsure what their vote meant.
But the takeaway was that many felt that in voting for reform, they would be stripping themselves of their power to vote in the electoral process. By stripping the senate of its power, they would effectively be removing part of their voice and giving it to Renzi or whichever party was in government.
And don't be fooled. The EU had nothing to do with these elections. It was not considered a vote for or against the European Union, despite what some in the press are saying. This was a vote for or against Renzi, and a vote for or against changes to the parliamentary process, which has revealed how little most Italians know about the political process.

It's World Aids Day today. A day to reflect on how modern life has so thoroughly changed the way many of us interact. How such a cruel and infatiguable disease has been responsible for so much heartbreak and the loss of life. A day to remind us to be ever vigilant and to not take for granted the immense toll four letters have brought with them.
I'm catching up on things. I finally got around to watching Behind The Candelabra this week. Dubbed in Italian of course (urgh).  I'm told Liberace wasn't really well known in this neck of the woods, but the movie's message went beyond being a simple, enjoyable biopic.
Liberace's AIDS related death in the mid 1980s was realistically, if briefly portrayed in the film. But it was enough to bring back memories of what it was like growing up in the eighties in the shadow of HIV/AIDS and the fear and pandemonium it sparked.
I don't know what it was like for you growing up where you did, but I have two really clear memories about the AIDS epidemic from back then.
Beyond the tragedy of it all, I have really vivid memories about how awful we were in Australia. How the media in particular played such a huge role in a scare campaign that was often cruel and lacking in compassion.
The most vivid of my memories was based on an infamous public service announcement that aired regularly. It's referred to as the Grim Reaper ad, and even now, it's still chilling.

It was an ad that really represented how little we knew and how much we feared.
The breakthroughs that have made HIV more manageable today weren't existent back then. Being school aged I remember people being terrified of bodily contact, of how ideas like using a restroom was suddenly dangerous. Of how the stigma of the disease took shape and took hold.
Of how prejudice and witch hunts were the norm in Australia.
If anybody embodied the tragedy of the AIDS epidemic for Australians, it was little Eve Van Grafhorst.
Born prematurely in 1982, she'd contracted the virus from one of a dozen or so blood transfusions as a newborn. Her condition quickly led to Eve and her family being on the receiving end of all kinds of uninformed prejudice and harrassment in Australia, and to her being expelled from her kindergarten she attended for fear that she would infect the other children.
A witch hunt, faithfully covered by the Australian press, ensued and life in Australia became unbearable for the family. The family was welcomed with open arms by the town of Hastings in New Zealand where they were forced to start a new life, where Eve would go on to become the public, human face of the disease.
In New Zealand, her presence was a reminder of the compassion of the country's people and of the Australian community's intolerance. Despite her young age, Eve played a vital part in educating the public in Australia and New Zealand about AIDS and AIDS sufferers.
There's a lovely commemoration over at Stuff reminding us what Eve taught us and I've included a video below that commemorated her life and death.
There have been medical advances and we've managed to shake off some of the stigma attached to HIV and AIDS. But we need to do more, to be constantly vigilant and to ensure that the younger generations rid themselves of the false sense of security that seems to be infiltrating the community again.
Get tested. Get informed and do your part in stamping out ignorance.

2016 has not been my favourite year.
Aren't you over this obsession with nationalism and populism? Being herded into simplified positions or towards activism. Where everything gets reduced to us being for or against something. With us or not with us.
We don't seem to have any patience for things that are complicated or nuanced anymore. We're all so angry.
Culturally, 2016 has also been Beyonce's year. Again.
Once upon a time she was the prom haired child of destiny. On the cover of every magazine, beauty personified. Great voice, great look, great mover.
Then she reinvented herself and the game in 2013 with Beyonce.
It's not an easy task to reinvent yourself after so long in the public eye. People are only too ready to remind you of how frumpy you were or how much of a nerd you were before you made yourself over.
I think it was a good move on Bey's part. Musically she really needed to step it up a few gears. And her 2016 release Lemonade has consistently been the year's most acclaimed recording.
In case you haven't noticed, with Beyonce and Lemonade Bey has morphed into a serious artiste. One who doesn't want to pay lip service to issues anymore. Someone who's no longer content to be the L'Oreal gal in pop. Girl's got other things on her mind.
And where in the past her albums featured hubby Jay Z, Lemonade [thankfully] lacked his vocal presence. Even if the idea of him is still all over it.
The takeaway from all of this, and Beyonce's continuation as a serious artist was that Beyonce somehow got 'blacker' [and angrier] this year. Realer thanks to the elevator scene, Superbowl, the baseball bat. The corn rows. Pretty much any moment and any thing in the long play video.
Queen Bey transitioned her sound with Beyonce, but she's solidified her position on things with Lemonade. She's done it by doing what commercial artists have long done. By working with the best and by tapping into social movements that artists strive to claim as their own. 
But these feel like ridiculous times.
Times when we suddenly have to be reminded that Black Lives Matter. Times when people are identifying with the old, white guard. When many are not even willing to acknowledge the existence of 'minorities' anymore.
Times when parts of the world are looking to repeal rights so hard fought for.
So when Bey appeared at the Superbowl and paid tribute to the Black Panther movement back in February, the press had a heart attack. If she hadn't already killed off her old L'Oreal persona with Lemonade, she certainly finished the job at the Superbowl.
Beyonce's numbers are impressive. Her album has performed solidly, but not even she is Adele. Adele's not here to ruffle your feathers. But Beyonce suddenly is and that has pissed a lot of people off.
But any backlash to Beyonce's activist position in 2016 isn't really about her suddenly thinking she's black. It's a sign of how the usual suspects [and now parts of the disenchanted society]  feel like we're in a rickety boat. A boat whose position is so precarious that any sign of rocking will force us all to capsize.
The real take out? Beyonce has slayed this year because mainstream artists have been playing it safe for years. And for all the activism, Beyonce's album was solid musically, and breathtaking at a visual level. Beyond that, well her fans are more likely to be caught up in who Becky with the good hair is to worry too much about the message Beyonce is trying to send.
It's 2016. They need a simple, clear position and not much more, after all.

LET'S face it. 2016 has been a horror year.
We should've seen the signs as early as January.
January 10 to be precise.
On that day, we lost someone incredibly unique: David Bowie.
A man who transcended boundaries and whose appeal was inter-generational.
Bowie left with the same style and grace he'd displayed for decades, choosing not to make his health battles and problems public. Instead, he left us with Blackstar, his final album, which has remained one of the year's best reviewed works.
How fitting, it seemed, that Blackstar - an album in which Bowie looks death squarely in the face - was his final swan song. As if the master had planned the farewell in advance.
But accounts are now beginning to surface which suggest Bowie was already planning on yet more material after Blackstar. It's a tantalizing idea.
As has become custom, we realised what a remarkable, mercurial talent he was only once he was gone. Blackstar went to number one on its posthumous release. Much of Bowie's back catalogue filled out the world's albums and singles charts as we scrambled to preserve our memories of him and his music. And, his transcendental approach to culture: blurring the lines of music, fashion and art as he did for so long, have stretched his legacy into the art world.
Since his departure, the Victoria and Albert museum in London has announced that their Bowie exhibition has become their most ever visited show. Bowie's personal art collection: as progressive and ahead of the times as the man himself  - has had collectors in a frenzy.
And yet, he'll be remembered for being such a phenomenal pioneer in popular culture. With a voice that was distinctive and incredibly powerful. Get your fill of it over at NME which have some great isolated vocals that attest to how amazing that voice was lest we forget.

So PF (that's short for Pope Francis) has brought the Jubilee year to an end.
The press here in Italy are referring to it as being a pretty massive flop. They've labelled it as being the Low Cost Pilgrimage particularly because it failed to attract anywhere near the number of visitors the Vatican expected.
The City of Rome had high expectations for the event and its hospitality industry was at the ready to welcome to the tens of millions of visitors that the Vatican expected. That didn't happen though. Visitor numbers to Rome were pretty much identical to the year before.
But a lot has happened in Rome between the Jubilee year beginning and ending. Notably, Rome's administration is now under Virginia Raggi and the populist political group Cinque Stelle [5 Star Movement], who, in addition to campaigning against the old guard, are trying to manage the city of Rome by applying a lot of really unpopular austerity measures.
Romans are up in arms about Raggi and the incompetence of the movement, and the political group is also not really making a lot of friends in high places.
In announcing the end of the Jubilee year, the Vatican spokesman, Monsignor Rino Fisichella, thanked a number of institutions including the region of Lazio for its support.
His exact words, as reported by the Repubblica Newspaper:

"un sincero ringraziamento va anche alla Regione Lazio per avere approntato un servizio di sanità e pronto soccorso all'altezza dell'evento"
[Translated: A sincere thanks to the Region of Lazio for having provided health and emergency response services to a level on par with the significance of the event...]

But when he quite notably omitted The City of Rome from his acknowledgements, journalists at the press conference asked whether or not he'd simply forgotten to thank them for their support. After all, you can't get to the Vatican without passing through Rome [or using its network of services]. His response?
"Il mio testo parla chiaro". [Translated: My text was very clear].
Ouch. Guess no nighttime prayers for Raggi and co.
If you can read Italian, you'll find an article about the Vatican's press conference here.
For an analysis about the perceived flop of the Jubilee year in English, go here.